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“If you love Downton Abbey…”

9780062229311_p0_v2_s260x420 How many times over the last year have you read those five words in reference to movies, books, television shows, food, music, clothes…?  Heck, I even used it a few weeks ago when reviewing The Remains of the Day. The furor for Downton Abbey has taken over so completely that it is difficult to get away from reference to the show for even a week. Don’t take that as a complaint. I love Downton Abbey. I click on almost every article I see that references it. But, as with many of the moment comparisons, things get labeled Downton even though they only have a passing connection to the show, namely the time and place.

Based on a recommendation of a friend on GoodReads, I searched long and hard at Barnes and Noble for The Passing Bells (★★★). I found it, with the help of a manager, on a remote end cap titled, “The World of Downton Abbey.”  Published over thirty years ago, The Passing Bells is the first book in a trilogy that spans the war years in England (1914-1945). It is well written and the characters are interesting but I felt distant from the story. It didn’t engross me like I expected it to. There was little emotional resonance and very little focus on women. Most of the novel is from male characters’ points of view. When women were the focus, it was usually in regards to their relationship with men.  Now, I am not saying that is a weakness of the book. As a book about men and their experiences in World War I, The Passing Bells is good, maybe excellent. However, if someone picks this novel up expecting something like Downton Abbey – soapy, with lots of twists, turns and emotions as well as a focus on the gentry during the Edwardian and war-time – you’re going to be disappointed.

My biggest complaint with The Passing Bells is how the author skimmed the era. There was lots of information about a lot of subjects – politics and war profiteering, jingoistic journalism versus truth-telling, white feathers and shell shock, the pointlessness of the war and the ignorance and blindness of the commanders. But, the author didn’t delve deeply into any subject. I wish he would have written a trilogy about these people during this time. Instead, the next two novels move into the twenties, thirties and beyond with these characters and their children. Unfortunately, I am not interested enough in what happens to any of them to read the next two books.

9856011The Return of Captain John Emmett (★★) stared at me from the mystery shelves for months before I bought it. Same time period (just after World War I) and I liked the book cover. As you know, liking the book cover is sometimes all that is needed for me to read a book or stick to one. I also think my love of physical books stems from my love of beautiful or interesting book covers. Yes, book covers are available digitally, but when you “close” your digital book, the cover does not stare at you from the bedside table or coffee table. I take great pleasure is seeing a book I’m reading waiting patiently for me to return. I’m digressing here because I don’t have much positive to say about The Return of Captain John Emmett. The amateur detective didn’t have any particular personality trait that would single him out as a good investigator. As such, he made so obvious blunders any regular mystery reader will catch, prolonging the case and book a good 100 pages. Despite catching his mistakes, the reader won’t be able to figure out the killer or his motivations until the author dumps the info at the end of the novel. Her detective is so inept he has to have the killer tell him absolutely everything, to explain in detail information the detective was never able to ascertain. I am being too hard on the detective. It is the author’s fault.

One thing I did like about The Return of Captain John Emmett; the main character wasn’t sexless. The author and the character were open and honest about his sexual desires. Of course, this is a British man in the 1920s so there is an expected amount of restraint, but that is addressed at all was refreshing.

churchillSet in 1940,  Mr. Churchill’s Secretary (★) shares a setting (London) a genre (mystery) and a strikingly similar cover art style to The Return of Captain John Emmett. Though I thought Emmett was too long and the mystery didn’t quite work like I think the author intended, I can’t say it was poorly written, which I’m afraid is my charge against Mr. Churchill’s Secretary.  I kept reading it even though I didn’t want to, mainly because I was determined to pinpoint my problem with a novel that should have hit all of my reading sweet spots (plucky heroine, integrating historical figures, the London Blitz). Yesterday, I found it.

“Claire looked at Maggie. Maggie looked at Claire.”

Before I read that, I was willing to give the author the benefit of the doubt. Different writing styles, etc. But, the clumsiness of those two sentences put me over the edge.  I am gobsmacked that got past the author, the agent and the editor. I’m gobsmacked the entire novel was published, if I’m completely honest. There is a lack of clarity, depth and, like Emmett above, it commits the cardinal sin of mysteries by not giving the reader enough clues to figure it out themselves and resorting to telling the reader everything. Characters show up with no explanation other than the author needed to get one last conversation in. The three act story structure is completely missing.  The ending goes on and on and on. The characters’ attitude toward homosexuality is anachronistic. The chapters are chopped up into numerous short scenes of two or three pages. When and why chapters stopped and started was completely lost on me.  It is the quintessential 21st century novel, created for readers who can’t focus for more than two pages at a time.

These three books are each the first in their respective series. I will not be reading any of the subsequent books.

Just to show I can be pleased, I want to point you to two series that are, in my opinion, two of the best historical mystery series going. The first is the Maisie Dobbs series by Jacqueline Winspear. It is set in England between the wars. While Maisie can frustrate me, and there was one novel in the series I did not like at all, Winspear is an amazing writer. The other series is the William Monk series by Anne Perry. Perry’s attention to historical detail and, despite my disappointment in her World War One series, I think her writing ability is unmatched. Granted, I did not like her World War One series, butWinspear’s next Maisie Dobbs novel will be released in March. It is probably time I picked up another Monk novel. Or, perhaps I will start Perry’s other series.

 

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Variety is the Spice of Reading

Yesterday, I took a break from writing. I am at the point in my first draft where I doubt whether it is all going to come together and make any sense in the end. I wonder how much of my doubt has to do with this being a mystery and writing mysteries is Difficult. I’m not sure why I’m even trying this genre. I don’t intend to do a long mystery series, though I do want this book to introduce the town in which I will set all future books. It will be its own series, but nothing like what’s out there at the moment. Which means it will probably be as marketable as the novel I’m currently shopping. i.e. not very. These two factors – the difficulty and the pointlessness – have made me a little low. But, today I’ll open the file and get back to it. And, I’ll probably have a breakthrough, an ah-ha! moment, that will pull it all together. Maybe I should go for a drive. That’s when I have my best ideas.

Yesterday, I got a mani/pedi and organized my pantry. The latter isn’t procrastination on the level of removing moldy caulk from my shower, but it’s pretty close. But, my pantry looks awesome. That will last a few weeks, at most.

IMG_2359I also finished reading Patricia Highsmith’s Cry of the Owl (review coming soon) and went to Half Priced Books to replenish my to-read pile. I am on a reading roll and need to read as many books as quickly as possible. I’m mainly focusing on early/mid 20th century American authors, the shorter the novel the better. The five books I picked up today, with explanations why, are below.

The Tempest by William Shakesphere – Okay, so not early 20th Century American, I know. When searching for a title for my completed historical fiction, a quote or two from The Tempest relating to the theme of my book came up in my Google search. I’m sure I read it in high school, but decided to read it again.

Mrs. Dalloway by Virginia Woolf – ridiculously short and the first Woolf I’ve ever read, I believe. Will satisfy my ongoing reading challenges, 1001 Books and The Classics Club. (I started reading Mrs. Dalloway last night, after I started this post. Wow. It is a difficult read. The 139 pages will probably feel like twice as many.)

The Lost Weekend by Charles Jackson -  Synopsis: The classic tale of one man’s struggle with alcoholism, this revolutionary novel remains Charles Jackson’s best-known book—a daring autobiographical work that paved the way for contemporary addiction literature.

It is 1936, and on the East Side of Manhattan, a would-be writer named Don Birnam decides to have a drink. And then another, and then another, until he’s in the midst of what becomes a five-day binge. The Lost Weekend moves with unstoppable speed, propelled by a heartbreaking but unflinching truth. It catapulted Charles Jackson to fame, and endures as an acute study of the ravages of alcoholism, as well as an unforgettable parable of the condition of the modern man.

I absolutely love the 1945 movie starring Ray Milland that is based on this book. An unflinching look at alcoholism.

Blood Meridian by Cormac McCarthy – Mark said I should read this so I’m going to give it a shot. I’m skeptical, though; there are no quotation marks. I’m turned off by writers that ignore the rules like that. Still, I’ll try it.

Promise not to Tell by Jennifer McMahon - Synopsis: Forty-one-year-old school nurse Kate Cypher has returned home to rural Vermont to care for her mother who’s afflicted with Alzheimer’s. On the night she arrives, a young girl is murdered—a horrific crime that eerily mirrors another from Kate’s childhood. Three decades earlier, her dirt-poor friend Del—shunned and derided by classmates as “Potato Girl”—was brutally slain. Del’s killer was never found, while the victim has since achieved immortality in local legends and ghost stories. Now, as this new murder investigation draws Kate irresistibly in, her past and present collide in terrifying, unexpected ways. Because nothing is quite what it seems . . . and the grim specters of her youth are far from forgotten.

More than just a murder mystery, Jennifer McMahon’s extraordinary debut novel, Promise Not to Tell, is a story of friendship and family, devotion and betrayal—tautly written, deeply insightful, beautifully evocative, and utterly unforgettable.

This looked like an interesting, current mystery. Satisfies my goal of reading more current fiction.

What’s on your To Read Pile?

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“Historical novelists tell an emotional truth. They do this by selecting from, adapting or adding to the known facts in any way. In so doing, they create an account of the people and events of the past which moves readers to re-live them in their own minds.” ~ Michael Dean, How to Write a Historical Novel

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Four Things I’m Looking Forward to this Week – October 7 – 14

Yes, it’s four things this week. I would say I’m looking forward to the completion of my home improvement project but…yeah. Not happening.

Nashville

I love musicals but never watched musical based television shows such as Glee, Smash and American Idol. Nor do I like country music. Nevertheless, I’m excited about this show. From everything I’ve read, it is one of the best pilots of the fall season, due in no small part to Connie Britton’s performance. I expect it to follow in the soapy, over the top footsteps of other ABC nighttime dramas such as Desperate Housewives, Grey’s Anatomy, Private Practice and Revenge. Plus, since ABC moved Revenge to Sunday, I don’t have anything to watch Wednesday nights.

Argo

This is just the kind of movie I like. A political thriller based on a true story. Plus, the soundtrack is probably going to be awesome. The clothes? Not so much.

Book Club

The book this month is The Distant Hours by Kate Morton, my favorite of her three published novels. Morton has her fourth novel coming out next week, which will make that list of what I’m looking forward to.

Texas/OU

I didn’t attend the University of Texas but I root for them in this game regardless. A native Texan with no ties to Oklahoma wouldn’t dream of rooting for Oklahoma. Unless, of course, you went to Texas A&M. Aggies always root against Texas. No matter how good the teams are (and they are both pretty good this year), Texas/OU (Okies call it OU/Texas which just doesn’t roll off the tongue right) is always an edge of your seat affair. I hope Texas bounces back from the loss to West Virginia and Oklahoma isn’t too cocky after thrashing my alma mater, Texas Tech, last Saturday.

 

'Mentalist' creator promises killer 5th season with major Red John reveal

Reblogged from Inside TV:

With CBS' The Mentalist approaching its 100th episode and moving to a new night, creator Bruno Heller is intensifying Patrick Jane's hunt for Red John.

"This is going to be a big season in terms of the Red John story," promises Bruno Heller about the show's elusive serial killer. "We make a quantum leap forward. Jane (Simon Baker) and the audience will learn something incredibly important about Red John that makes his hunt inches away instead of miles."

Read more… 283 more words

I wonder if this means they will have more than a few episodes during sweeps focus on Red John? Maybe we will learn Red John's identity, something I've said is the one thing that will truly revive the RJ storyline. Though, capturing RJ's accomplice is a start.
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The Classics Club/1001 Book Review: Shirley by Charlotte Bronte – “Mate that turtle, Mr. Moore.”

Didn’t like the book but I love the cover.

I did not like Shirley.

That could be my entire review. After reading a novel that was at least 200 pages too long, it probably should be. Because it is late and I am not feeling too charitable towards Charlotte Bronte I will make this brief.

There were many things I disliked about Shirley (★★) but the one thing that I did like was the character of Shirley. Where Shirley was lively and engaging, the other characters were dull, overwrought and over described. I may be in the minority but I think it is a huge problem if the eponymous character does not show up in your story until page 187. Once she did show up she gave everything a much needed jolt of life, including this reader. Honestly, I can’t believe I made it to page 187. I was very close many times to abandoning the book. I didn’t but I can’t say that I’m glad I didn’t.

After reading the brilliance of Anne Bronte’ masterpiece, The Tenant of Wildfell  Hall, Shirley read like an author trying too hard. I should give Charlotte some slack since she lost her three siblings while writing Shirley (including Anne, *sniff*) but I cannot. Especially after learning that Charlotte repressed Anne’s work after she died. It infuriates me that Charlotte and Emily are well-know two hundred years later while Anne, who had much more to say and said it much better, was silenced. I admit I am biased against Charlotte because of it. I cannot help it.

Even if I did not have that prejudice I would not like Shirley. The language was pedantic, the characters annoying and the storyline meandered around searching for a social cause to champion. Unlike Bronte’s contemporary, Elizabeth Gaskell, who wrote brilliant novels about industrialization and the subsequent social struggles, it seems obvious that Bronte had no real experience or knowledge of the lower classes, only what she read in the newspaper. Even without first hand knowledge a writer of Charlotte Bronte’s caliber (at least the caliber she thought she was) should have been able to make her point eloquently. If she had a social point to make, I missed it. Or maybe after slogging through 600 pages I didn’t care.

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BSG on BBC 4.09/4.10 – The Hub/Revelations

BBC took a break from Battlestar Galactica a week ago to run a marathon of Being Human, in preparation for the US premiere of that series’ new season. We return with the two episodes that concluded the first half of season four, The Hub (★★★★) and Revelations (★★★★★). The Hub spanned the same amount of time that the previous episode, Sine Qua Non, spanned, but switched to the events on the Rebel basestar. The hybrid is randomly jumping the ship, trying to locate the resurrection hub while Roslin and Baltar are, hilariously, trying to make sense of what it is saying and trying to get it to tell them what they want to know. Each time the base star jumps, Roslin is guided through visions of her impending death by Elosha, her religious counselor from season one who lost her life on Kobol. Elosha is there to try to help Roslin regain her humanity by allowing herself to love someone.

Quite a bit happens in the episode – Helo and an Eight retrieve Deanna from the Hub; Baltar is accidentally shot and nearly dies; while on his deathbed he confesses to Roslin about how he unintentionally helped the Cylons with the initial attack; Roslin almost lets him bleed out but, luckily for Baltar, a vision with Elosha kicks in her humanity and she saves him – but in my mind, this is Roslin’s episode. This is the episode where she, and the viewer, realize she isn’t going to make it to the end of the series. She is so close to realizing her destiny – finding Earth – the one thing that has driven her since almost the beginning. Absolutely everything she has done, good and bad, has been to that end, and by extension, to save the human race from extinction. Along the way, though, she has cut herself off, emotionally, from the very people she has sworn to protect. It isn’t until she sees Adama, crying over her dead body, telling her that he will no longer be selfish and will let her go while putting his wedding ring on her finger, that she finally understands that the culmination of her hard work will be worthless unless she allows herself to love the man that has stood by and supported her and loved her without asking anything of her. I’ve said in a previous review that the relationship between Adama and Roslin is one of the best developed in television history and I absolutely stand by that. The scene when Laura greets Bill when he exits his Raptor and she admits she love him is one of my favorite scenes of the series.

The elation is short lived. Deanna is back and in charge and is taking a much more hard line approach in dealing with the humans. She, of course, holds most of the cards due to her knowledge of the Final Five. But, she doesn’t hold all of the cards. The humans, unbeknownst to them, have the four Cylons. Deanna keeps the colonials and returns with Adama to negotiate, really demand, the four return with her. Tory, in the guise of taking Roslin’s medicine, does. Tigh, Tyrol and Anders stay behind, with the humans still ignorant of their identity. When she returns to the baseship, Deanna kills a colonial and says she will kill one every hour until the other three come to them. This, along with President Lee’s determination to blow the base star as a last resort, prompts Tigh to go to Adama and confess that he is a Cylon. Adama is devastated and, after years of keeping his cool, has an inevitable breakdown. Lee is there is pick him up but Adama is broken, saying he cannot kill Tigh, he cannot use his life as a bargining tool with Deanna. Lee promises to take care of it.

Long story short – and wow it’s impressive how much action they squeeze into this 45 minute episode – the only thing that averts the deaths of Anders, Tyrol and Tigh is Starbuck’s discovery, through the Viper she returned to the fleet in, a direction to Earth. The Cylons and humans call a truce, follow and discover at long last, Earth. The fleet is estactic and the celebrations are a sight to behold. This euphoria lasts until they arrive on the surface and discovered the charred remains of the 13th colony, decimated by nuclear war 2000 years earlier.

Other Thoughts:

  • According to Battlestar Wiki, this episode was designed to be the series finale if the writer’s strike had dragged out longer. It would have been a horrible way to end such a stellar series. Luckily, the strike ended and we were given 10 more episodes.
  • I absolutely love Lee in this episode. It is the perfect confluence of his navel gazing, firm beliefs in right and wrong, pragmatism and the steely nerves he inherited from Adama and honed in the cockpit of a Viper. It might be his finest hour.
  • Tory has embraced the Cylon nature that is antagonistic towards humans, whereas Tigh, Tyrol and Anders have not.
  • Now the question is, who is the fifth Cylon?
  • How will the people in the fleet, and the Cylons, react to a uninhabitable Earth? Where do they go now?

12 Days of Boredom 2011 Day 11 – Movies

I did a great job of updating my Movies 2011 list up until May. Maybe subconsciously I determined that movies in 2011 weren’t going to get much better than Bridesmaids. More realistically, though, I just forgot to update after I watched movies. As best as I can remember, these are my favorites of the year.

Harry Potter and the Deathly Hallows – Part 2

Image via Wikipedia

Bridesmaids (★★★★★) – It’s refreshing to see a raunchy comedy aimed at women, with jokes that women can relate to. I saw this with my husband and with a group of girlfriends. Totally different movie watching experiences.

Jane Eyre (★★★★) -A great adaptation of Charlotte Bronte‘s novel.

Source Code (★★★★) - It’s not often you can claim a movie as being original, but with Source Code, you can.

Win Win (★★★★) – Great acting in a movie they resisted tacking a Hollywood ending on to.

Hanna (★★★★) – Just as it is refreshing to see an adult comedy geared to women it was nice to watch an action movie with a teenager as the central character. A teenager that wasn’t wearing skin tight leather pants/bustier. She looked very age appropriate when she broke that woman’s neck.

50/50 (★★★★★) – This movie will make you laugh and cry. I have not been touched by cancer in my family personally but I imagine this is a very good depiction of what it’s like.

Harry Potter and the Deathly Hallows Part 2 (★★★★★) – As much as I hated this book and Part 1, I loved this movie. This is the best movie of the series, hands down. I wonder when they will start remaking them all. (You know it’s going to happen in our lifetime.)

Super 8 (★★★★) – My husband loved this movie because of the puking scene. I loved it for the kids and the story.

Midnight in Paris (★★★★) – I like Woody Allen as a director much better now that he’s not in front of the camera. Owen Wilson gives a great performance. This movie made me want to visit Paris.

Crazy. Stupid. Love (★★★★) – There aren’t many movies that can surprise me – not because I’m that much more intuitive than others but because I’ve seen so many movies that I know their beats better than they do – but this one did. So uncomfortable at times, but I left feeling good.

The Help (★★★★) – An excellent adaptation of the book with wonderful performances from all actresses. I hope they get some Oscar love in a couple of months.

The Debt (★★★★) – This almost made the disappointment list because, while I liked it very much, I thought I would like it more.

Contagion (★★★★) – I firmly believe that the world is on a collision course with a pandemic like Contagion depicts. It’s scary stuff.

Footloose (★★★★) – This movie and Mission Impossible are tied for biggest surprises. I didn’t expect to like this remake of Footloose, let along LOVE it. Awesome all the way around.

Mission Impossible: Ghost Protocol (★★★★) – Action porn at its best with surprisingly good characterizations. I hope this team gets together for another mission, soon.

Biggest Disappointments

Captain America (★) – Maybe the worst movie of the year.

Cowboys and Aliens (★★) – The idea had great potential but they just didn’t pull it off.

Paranomal Activity 3 (★) – I was expecting this movie to be scary. It was tense, but not scary at all.